Homemade Cocktails — Experiments, Critiques & Travels
You know, most of the time a cocktail gets its name after it’s been mixed and tasted — hopefully nobody else has come up with the same thing and named it already. But what if you already have the name and you know that it would be perfect for a drink? This was the dilemma I was faced with the other day, but I managed to come up with a cocktail that seemed to fit with the song title I had in mind, that title being…
1 1/2 ounces Famous Grouse Blended Scotch
3/4 ounce Rothman & Winter Créme de Violette
3/4 ounce Lemon Juice
1 dash Créme Yvette
Stir with ice and strain into a chilled cocktail glass. Garnish with a viola, violet, or pansy, if you wish.
If you’re not a fan of the group Traffic, “40,000 Headmen” is from their eponymous second album, released in 1968, and it’s one of those classic deep tracks that everybody should hear at least once. In true ’60s form, you get a little cosmic flute action and a sense of dreamlike recollection — nothing especially psychedelic compared to the other music coming out of the studios at the time, but mystical, and pretty catchy. The tricky bit is coming up with a drink to match the song.
Forty thousand headmen couldn’t make me change my mind
If I had to take the choice between the deafman and the blind
I know just where my feet should go and that’s enough for me
I turned around and knocked them down and walked across the sea
Hadn’t traveled very far when suddenly I saw
Three small ships a-sailing out towards a distant shore
So lighting up a cigarette I followed in pursuit
And found a secret cave where they obviously stashed their loot
Filling up my pockets, even stuffed it up my nose
I must have weighed a hundred tons between my head and toes
I ventured forth before the dawn had time to change its mind
And soaring high above the clouds I found a golden shrine
Laying down my treasure before the iron gate
Quickly rang the bell hoping I hadn’t come too late
But someone came along and told me not to waste my time
And when I asked him who he was he said, ‘Just look behind’
So I turned around and forty thousand headmen bit the dirt
Firing twenty shotguns each and man, it really hurt
But luckily for me they had to stop and then reload
And by the time they’d done that I was heading down the road
- “40,000 Headmen” by Steve Winwood / Jim Capaldi
My first thought was to use whiskey — what else would Old West mercenary-type headmen drink, after all? The second thing that came to mind was the Aviation, namely for its cloudy-sky tint. Cutting out the maraschino and making the drink with High West’s Silver Oat whiskey (2:1:1 ratio for whiskey:violette:lemon) resulted in a nice combination, if not one that was citrus-heavy and purple-grey.
Figuring that I needed a whiskey that contributed a sturdier flavor, out came the Famous Grouse. Traffic is a British rock band, after all, so why not use Scotch? Another quick note: the full title of the song is “(Roamin’ Thro’ the Gloamin’ with) 40,000 Headmen,” and “Roamin’ in the Gloamin'” is an earlier song from 1911 with Scottish roots. “Gloaming” is, of course, a synonym for “twilight,” and the resulting drink comes out a smoky, purpley, stormy grey color that I rather liked. Instead of emphasizing the citrus, the use of Scotch amps up the perfume of the violette. I never would have thought to combine violette and scotch, but there you have it.
Now, I tried using my McCallan 12-year sherry cask scotch in the 40,000 Headmen and the result was disappointing. The sherry flavors of this particular bottle tend to dominate every drink I’ve tried it in, and the 40,000 Headmen suffered the same effect. Not recommended, though I’d love to see what another single malt would do here, and an Irish whiskey substituted for the scotch would make a fine experiment. I also tinkered with Créme Yvette, first replacing half of the violette with it (resulting in a dusty-rose-colored drink) and then about a third of the violette (giving a near-perefct, reddish twilight color). The more Yvette you use, the more the the citrus comes through, reducing the perfume of the violette-scotch combination. A dash of Yvette provides the best flavor, I find.
Finally, why stir the drink? Well, I didn’t feel like having all those agitating ice shards in it, nor did I feel like having any bubbles or foam form on top. Stirring chills just as well, if not more slowly, the lemon juice retains a suitable cloudiness, and the texture seems more velvety or creamy than that of a shaken drink.
Now for a tangent. Some of you may be saying, “Hey, wait a minute, isn’t this just a Blue Moon with scotch?” Well, in a word, Yes. For those of you unfamiliar with the Blue Moon, the recipe includes gin, Créme Yvette/violette, and lemon juice. It’s an oldie (and a goodie) that I first encountered in Ted Haigh’s Vintage Spirits & Forgotten Cocktails. After checking out Paul Clarke’s post, it seems that he encountered the drink before the R&W violette came out, and his formulas come directly from Haigh’s quoted sources. Chuck Taggart of the Gumbo Pages also has a write-up on the once-obscure Violette and the Blue Moon. I’ve not tried the original Ensslin vermouth version, but it looks wonderful, especially as Doug Ford of Cold Glass describes it. I prefer the use of Yvette in the “modern” version, but the drink comes out, well, pink, so I call it the Pink Moon instead, which is, you guessed it, the name of a song (and an album) by Nick Drake.
Cheers, as always!
Photos by IJL, except for the album cover, found via Google.
PS: Yes, I did cheat a bit on the photos, but only in the setup — the background cloth is a bright purple, and the stem/foot of the cocktail glass is a maroon-purple color. The white balance was corrected by sampling the white of the violas in the drink via Lightroom, but it didn’t undergo much alteration in the photos as-shot. The drink will be more of a gray in most lighting conditions.